THE AQUA VELVETS - NOMAD
Nomad is the third album from the Aqua Velvets. When you play it you will be taken on a journey through beautiful romantic island environs, tiki bars in exotic foreign lands, bronze-bodied vacations in Baja, and perfect rides in the green room. It is not possible to listen to this album without "seeing" the scenes and "smelling" the places for which the songs are named.


 



THE AQUA VELVETS - GUITAR NOIR
On their stunning new instrumental guitar masterpiece, Guitar Noir, San Francisco's Aqua Velvets combine their now signature sound with a variety of musical nuances influenced by some of their favorite film music composers of the '50s and '60s to create a new body of work that continues to explore and shape the sound of modern instrumental music. The perfect soundtrack for a '90s film noir, the rhythmically seductive Guitar Noir sets the scene for smoky nightclubs, private detectives, secret rendezvous, mysterious mambos and late evening escapades on the foggy backstreets of North Beach. Part Jack Kerouac and part Dashiel Hamett, Guitar Noir captures the intrigue and moods of one of the world's most enchanting cities, San Francisco. Songs like "Subterranea," "Mysterious Mambo," "Venetian Silhouettes," "Slow Dance With A Fast Girl," "Moodswing Sonata," "Mermaids After Midnight" and "Twilight Of The Hep Cats" transport the listener into a romantic, exotic netherworld rich with excitement and fantasy.


 



THE DEVIL MAKES THREE - THE DEVIL MAKES THREE
Mixing styles from the ragtime and country music of the twenties and thirties to the rock-and-roll and punk music of their adolescence, The Devil Makes Three pushes the boundaries of acoustic music. Citing influences as varied as Steve Earle, the Reverend Gary Davis, Memphis Jug Band, and Django Reinhardt, the band combines tight vocal harmonies with idiot-savant finger style guitar to create an exciting and original sound.

 
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WEST INDIAN GIRL – 4TH AND WALL
Alluring and revolutionary, bright and buoyant, exemplary in their ability to evolve from what is expected, the Los Angeles-based musical collective known as West Indian Girl has created its majestic, engaging sophomore disc 4th and Wall, their first and long-anticipated release on Milan Records. On an album brimming with instant, artful pop classics, this one-time studio duo turned living, breathing modern rock sextet has vaulted beyond the electronic banner under which it once uncomfortably resided.

 
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